Copyright | Page 2
2014 Copyright Review
On June 10, 2015, the Section will be welcoming Adriane Porcin of the U of M Faculty of Law, Kelsey Desjardine of Pitblado LLP, Andrew Buck of Pitblado LLP, Mike Williams of Ade & Company and Cheryl Jason of Manitoba eHealth to provide updates from the past year in the areas of copyright law, trademark […] Read more
Conjectures on Governance and Wholesale Licensing
This content is not available in the selected language. The relationship between copyright management organizations (CMO) and their members is a fairly unusual one, at least by the standard of more ordinary corporations. With examples such as the creation of BMI or the Daft Punk case in mind, one could say that conflicts born of […] Read more
LAW3028 – Copyright
This content is not available in the selected language. Copyright is pervasive, and structures multiple aspects of your environment, from the movies you can stream on Netflix to the material you will use for this very class. This course will introduce you to the mechanics of the Copyright Act, starting with an overview and introduction […] Read more
Gestion collective et gouvernance
This content is not available in the selected language. Dans son ouvrage intitulé Le droit d’auteur : l’idéologie et le système, Thomas Paris décrit la gestion collective comme la composante gestionnaire, tout autant qu’un élément structurant, du système de droit d’auteur. Elle est, de fait, devenue incontournable pour la mise en œuvre de certains droits de […] Read more
Of Guilds and Men: Copyright Workarounds in the Cinematographic Industry
This content is not available in the selected language. The motion picture industry utilizes a varied collection of more or less formal mechanisms for dealing with the collective nature of audiovisual works, ranging from collective bargaining to legal presumptions. What these instances of copyright workarounds have in common is that they are all about circumventing traditional notions of […] Read more
Of Guilds and Men
This content is not available in the selected language. The motion picture industry utilizes a varied collection of more or less formal mechanisms for dealing with the collective nature of audiovisual works, ranging from collective bargaining to legal presumptions. What these instances of copyright workarounds have in common is that they are all about circumventing traditional notions of […] Read more
Corps d’oeuvre
This content is not available in the selected language. Si l’on considère qu’une œuvre d’art constitue une réflexion sur l’homme, alors l’art contemporain, plus précisément le Body Art, renoue avec les origines de l’art et leur ancrage corporel. Il vient en fait en rupture avec les corps idéalement beaux de la Renaissance et accompagne les […] Read more
Les marchés de la gestion collective des droits d’auteur
This content is not available in the selected language. La délimitation du marché pertinent est l’étape préalable à toute mesure du pouvoir dont disposent les entreprises dans un secteur donné. En pratique, le juge ne recherche pas une définition exacte du marché en cause, mais une délimitation suffisante pour permettre l’application des règles de la […] Read more
Sleeping Culture: Breaking the Copyright Curse
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Copyright and the Ephemeral
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